Posts Tagged Encore

Barco Encore Software Update

Encore software version 01.24.03.00 was released in mid January 2010.

The software update brings some important functionality, including the ability to use the ‘stack’ configuration with the SC Controller (up to 12 layers by cascading VP’s), plus ‘smooth’ transitions using ImagePRO Aux destinations.

Also, a range of bug fixes, and new resolutions are now supported.

Available from the ftp.folsom.com FTP site, or the my.barco.com website.

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DVI Connections and cable types for Barco Encore

Encore requires a couple of different types of DVI cables for connection of sources to a router or directly into Video Processor units, and for source link and program link between Video Processors for widescreen or widescreen preview applications.

Program link and source link cables, which are interlinks between one Encore VP and another, need to be DVI-I Dual Link cables – DVI cables whose connectors are fully populated with the maximum possible number of pins. This is due to the fact that Encore needs to be able to send analog, DVI, SDI, sync, and overlap information from one unit to the next.

The DVI source inputs on an Encore video processor only support DVI-D, with the exception of the unscaled downstream key and background inputs, which can be configured to accept analog or DVI signal.

To connect sources to a Matrix PRO DVI router, and to connect the router outputs to the Encore video processor inputs, you should use DVI-D single link cables.

To connect analog Downstream Key (DSK) or background sources directly to an Encore VP, you need analog to DVI-A cables (i.e. HD15 or RGBHV at one end, and a DVI connect which carries the analog signal at the other end).

Wikipedia has a fairly comprehensive article on DVI signal and connection types should you require more information on the differences between DVI-I, DVI-D, and DVI-A.

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Matrox TripleHead2Go as a background source for Barco Encore

Matrox TripleHead2Go Digital

Matrox TripleHead2Go Digital

Encore can accept a range of sources to generate backgrounds; however the obvious choice due to quality and flexibility is an unscaled DVI background. The down side to this is that your content needs to be produced in order to provide a unique DVI feed to each Encore VP with the appropriate part of the image for each section of the blend.

Barco makes this process a little easier with the options in its ‘Widescreen’ configuration menu (Output Setup). When using a triple-head display card or device, such as the Matrox TripleHead2Go, choose the background format as ‘Edge-butted’, and choose to centre the background content – while you’re there, ensure Data Doubling is ‘Enabled’ to make sure that the PIP content matches across the blend regions.

The Matrox TripleHead2Go makes a suitable unscaled DVI background source for Encore with a couple of considerations:
1. The TripleHead2Go is designed primarily for extending the desktop of a computer across multiple monitors, and as such, isn’t best suited to running heavy graphics and video – you will find that the stress that the unit places on your display computer’s graphics card will make it near impossible to display fluid transitions in Keynote or PowerPoint, or play back full resolution video.

2. When designing content, ensure you leave adequate space to the left and right of your content to compensate for the blend overlap (i.e. if you have 2x 1920×1080 projectors on a 3.333:1 screen, your total pixel space will not be 3840×1080, but rather 3600×1080). In PowerPoint or Keynote this is easy – just choose a slide format in 3.333:1 ratio (or a resolution of 3600×1080 in Keynote) and when you run the presentation, both PowerPoint and Keynote will automatically pillarbox the left and right of the output to compensate.

3. The Matrox TripleHead2Go does not yet support the common projection resolution of SXGA+ (1400×1050) out of the box. While it may be possible to ‘hack’ the TripleHead2Go device to support this resolution using a tool like PowerStrip, I’ve never tried it, and wouldn’t suggest that it’s worth relying on (if anyone has achieved this please feel free to comment!).

4. There are a maximum of 3 outputs using this device – and only 2 outputs if you’re using a high resolution such as 1920×1080 – so keep this in mind if you have larger edge-blending requirements. For true scalability, you would be better off using a system like AVStumpfl Wings or Dataton Watchout, both systems would run video and transitions a lot more fluidly, and would provide a much greater capacity to scale.

Matrox TripleHead2Go product page

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Barco Encore Preset Manager

Preset Manager is a program which Barco don’t make a huge fuss about, but anyone who operates more than the most basic of shows, especially using the Encore SC console, will appreciate the ability to save, edit, and recall all of their presets, colour-code and name those presets, and insert presets in a timed, or manually triggered cue list – functionality that you can’t yet get with Encore out of the box.

You can run Preset Manager on a Mac or PC connected to your Encore network.

Barco Encore Preset Manager

Barco Encore Preset Manager

Download Preset Manager Version 1.1 HERE.

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Barco Encore – DVI Inputs on ScreenPRO II Destinations

A common requirement that I come across is the ability to use a ScreenPRO II to display a combination of analog, SDI, and DVI sources on screen. Because the ScreenPRO II units do not have scaled DVI inputs, this isn’t the easiest thing to achieve, but there are a few work-arounds if you’re patient.

Method 1: Hard patch 2 fixed DVI inputs as ScreenPRO II backgrounds
This is the easiest method of connecting DVI inputs to a ScreenPRO II destination in an Encore system. Simply connect 2 DVI sources directly into the DVI background inputs of the ScreenPRO II – these could be sources unique to the ScreenPRO II unit, or a D/A split of a source going to other destinations or a router.

Method 2: Create MatrixPRO AUX Destinations
If you have a DVI router in your Encore system, you can set 2 of the router outputs as AUX destinations – configure these destinations as either Input patch or Source patch, and connect the router outputs to the DVI inputs on the ScreenPRO II unit. To control this configuration, you will need to select one of the two AUX destinations you have created and take the desired source to that destination, then choose your ScreenPRO II destination, choose Background A (or B, depending on which ScreenPRO II input your router output is connected to), assign a DVI input as the background source, and hit take.

NOTE: Even though the above method will allow you to switch different DVI sources to the ScreenPRO II background inputs, there are several caveats:
a. You cannot scale a DVI input on the ScreenPRO II – if you have an input that’s larger than the ScreenPRO II’s output resolution, the input will be cropped, and if you have an input at a lower resolution, then the input will be shown with black bars around it.
b. You cannot save the AUX switch and the ScreenPRO II transition in one preset, as you must switch the AUX BEFORE you transition the ScreenPRO II background – so you would need to save 2 presets to achieve this method

Method 3: Use an ImagePRO
If you have the luxury of having access to a spare ImagePRO or ImagePRO HD, you can either use Method 2, but put the ImagePRO in between the router and the ScreenPRO II background input, on freerun, so that the ImagePRO can scale all inputs it receives to fit the ScreenPRO II’s output resolution – or you can connect an ImagePRO to the output from a specific source, convert the source to an analog or SDI signal, and then send it to the ScreenPRO II to be freely manipulated.

None of these methods are particularly user friendly or fully functional – the bottom line is that you can’t get around the lack of DVI scaling with any ease – if you need true DVI scaling functionality on a single-screen destination, you may need to invest in another Encore VP.

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Troubleshooting Barco Encore and ScreenPRO II network issues

Barco Encore

Barco Encore

Barco Encore and ScreenPRO II units require a network switch to link the controller (Encore SC, Encore LC, or ScreenPRO II), the processors, and any routers used for the system. Barco provides the following limited information about the type of network switch required:

  • 10/100 Ethernet switch
  • CAT5e compliant network cables
  • A dedicated network (no other devices attached to the switch)

Despite this advice, it is common to notice problems with Encore and ScreenPRO II systems including issues where one VP (video processor) will transition out of time to another VP, or router inputs won’t be recalled correctly, or won’t be recalled in time. The ScreenPRO II units are more susceptible to these sorts of issues if running with a BlendPRO II unit to create a widescreen blend, as not only are there more devices attached to the network, but it also becomes more critical that they all run in sync.

If you are experiencing sync or communications issues with your Encore or BlendPRO II system, try the following:

Ensure you are using an Ethernet switch:
(rather than a hub or a router) A hub will not intelligently address each device attached to it, and is prone to ‘packet collisions’ which can mean that information being sent by the Encore controller is not delivered to some or all attached devices. A router is designed for connecting computers to the Internet or another network, and will often include functions like DHCP hosting, which will conflict with the Encore controller.

Use a high quality switch:
The price of Ethernet switches can range from tens to thousands of dollars depending on the feature set and quality. It is important to choose a switch that supports high-reliability packet switching, as Encore isn’t intelligent enough to correct any errors that may be introduced by cheaper switches – while the network switch you’re using might work fine for a computer network, you could still notice issues when running Encore.

A managed switch will contain a whole bunch of features which are unnecessary for Encore (like Quality of Service and VLAN support), however due to the higher quality construction and overall capacity and capabilities of these switches, they’re likely to be a better choice than an unmanaged switch.

Don’t worry about gigabit:
Encore supports 10/100 Ethernet – and in a recent software update, Barco suggested ensuring the use of a switch that supports 100mbit/s data rates instead of just 10mbit/s, however the Encore and ScreenPRO II units do not support gigabit Ethernet, so there’s no benefit in using a gigabit switch – you’re better off spending the extra money on a higher quality 10/100 switch.

Check your cables:
It’s so important to make sure that you Ethernet cables fully support the true CAT5e (CAT5 Enhanced) standard. That means ensuring that the cable, terminators, and the color-order of termination conform to the CAT5e standard. CAT5 cables rely on the specific color-coded twisted pairs of the cable to be in the correct order, allowing phase cancellation to prevent interference from other devices, and minimize packet loss. Check this guide for creating compliant CAT5e cables.

It’s also worth trying to keep all the cables in your system as short as possible, and of similar length – although length is unlikely to cause any significant delay, it can theoretically increase the chance of data loss through interference.

Reccomendations:
Consider using store-bought CAT5e certified Ethernet cables, or at least ensuring the cables you use truly meet the CAT5e specification.

Linksys 10/100 Ethernet Switch

Linksys 10/100 Ethernet Switch

Also consider purchasing a managed 10/100 Ethernet switch such as the Linksys SRW224G4 – this particular model has proven reliable on many Encore and ScreenPRO II events that I’ve worked on in the past. Whereas, I have seen issues with some of the cheaper D-Link switches.

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