Archive for category Live vision systems

Barco Encore – DVI Inputs on ScreenPRO II Destinations

A common requirement that I come across is the ability to use a ScreenPRO II to display a combination of analog, SDI, and DVI sources on screen. Because the ScreenPRO II units do not have scaled DVI inputs, this isn’t the easiest thing to achieve, but there are a few work-arounds if you’re patient.

Method 1: Hard patch 2 fixed DVI inputs as ScreenPRO II backgrounds
This is the easiest method of connecting DVI inputs to a ScreenPRO II destination in an Encore system. Simply connect 2 DVI sources directly into the DVI background inputs of the ScreenPRO II – these could be sources unique to the ScreenPRO II unit, or a D/A split of a source going to other destinations or a router.

Method 2: Create MatrixPRO AUX Destinations
If you have a DVI router in your Encore system, you can set 2 of the router outputs as AUX destinations – configure these destinations as either Input patch or Source patch, and connect the router outputs to the DVI inputs on the ScreenPRO II unit. To control this configuration, you will need to select one of the two AUX destinations you have created and take the desired source to that destination, then choose your ScreenPRO II destination, choose Background A (or B, depending on which ScreenPRO II input your router output is connected to), assign a DVI input as the background source, and hit take.

NOTE: Even though the above method will allow you to switch different DVI sources to the ScreenPRO II background inputs, there are several caveats:
a. You cannot scale a DVI input on the ScreenPRO II – if you have an input that’s larger than the ScreenPRO II’s output resolution, the input will be cropped, and if you have an input at a lower resolution, then the input will be shown with black bars around it.
b. You cannot save the AUX switch and the ScreenPRO II transition in one preset, as you must switch the AUX BEFORE you transition the ScreenPRO II background – so you would need to save 2 presets to achieve this method

Method 3: Use an ImagePRO
If you have the luxury of having access to a spare ImagePRO or ImagePRO HD, you can either use Method 2, but put the ImagePRO in between the router and the ScreenPRO II background input, on freerun, so that the ImagePRO can scale all inputs it receives to fit the ScreenPRO II’s output resolution – or you can connect an ImagePRO to the output from a specific source, convert the source to an analog or SDI signal, and then send it to the ScreenPRO II to be freely manipulated.

None of these methods are particularly user friendly or fully functional – the bottom line is that you can’t get around the lack of DVI scaling with any ease – if you need true DVI scaling functionality on a single-screen destination, you may need to invest in another Encore VP.

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Troubleshooting Barco Encore and ScreenPRO II network issues

Barco Encore

Barco Encore

Barco Encore and ScreenPRO II units require a network switch to link the controller (Encore SC, Encore LC, or ScreenPRO II), the processors, and any routers used for the system. Barco provides the following limited information about the type of network switch required:

  • 10/100 Ethernet switch
  • CAT5e compliant network cables
  • A dedicated network (no other devices attached to the switch)

Despite this advice, it is common to notice problems with Encore and ScreenPRO II systems including issues where one VP (video processor) will transition out of time to another VP, or router inputs won’t be recalled correctly, or won’t be recalled in time. The ScreenPRO II units are more susceptible to these sorts of issues if running with a BlendPRO II unit to create a widescreen blend, as not only are there more devices attached to the network, but it also becomes more critical that they all run in sync.

If you are experiencing sync or communications issues with your Encore or BlendPRO II system, try the following:

Ensure you are using an Ethernet switch:
(rather than a hub or a router) A hub will not intelligently address each device attached to it, and is prone to ‘packet collisions’ which can mean that information being sent by the Encore controller is not delivered to some or all attached devices. A router is designed for connecting computers to the Internet or another network, and will often include functions like DHCP hosting, which will conflict with the Encore controller.

Use a high quality switch:
The price of Ethernet switches can range from tens to thousands of dollars depending on the feature set and quality. It is important to choose a switch that supports high-reliability packet switching, as Encore isn’t intelligent enough to correct any errors that may be introduced by cheaper switches – while the network switch you’re using might work fine for a computer network, you could still notice issues when running Encore.

A managed switch will contain a whole bunch of features which are unnecessary for Encore (like Quality of Service and VLAN support), however due to the higher quality construction and overall capacity and capabilities of these switches, they’re likely to be a better choice than an unmanaged switch.

Don’t worry about gigabit:
Encore supports 10/100 Ethernet – and in a recent software update, Barco suggested ensuring the use of a switch that supports 100mbit/s data rates instead of just 10mbit/s, however the Encore and ScreenPRO II units do not support gigabit Ethernet, so there’s no benefit in using a gigabit switch – you’re better off spending the extra money on a higher quality 10/100 switch.

Check your cables:
It’s so important to make sure that you Ethernet cables fully support the true CAT5e (CAT5 Enhanced) standard. That means ensuring that the cable, terminators, and the color-order of termination conform to the CAT5e standard. CAT5 cables rely on the specific color-coded twisted pairs of the cable to be in the correct order, allowing phase cancellation to prevent interference from other devices, and minimize packet loss. Check this guide for creating compliant CAT5e cables.

It’s also worth trying to keep all the cables in your system as short as possible, and of similar length – although length is unlikely to cause any significant delay, it can theoretically increase the chance of data loss through interference.

Reccomendations:
Consider using store-bought CAT5e certified Ethernet cables, or at least ensuring the cables you use truly meet the CAT5e specification.

Linksys 10/100 Ethernet Switch

Linksys 10/100 Ethernet Switch

Also consider purchasing a managed 10/100 Ethernet switch such as the Linksys SRW224G4 – this particular model has proven reliable on many Encore and ScreenPRO II events that I’ve worked on in the past. Whereas, I have seen issues with some of the cheaper D-Link switches.

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D-VHS

JVC D-VHS DeckBack in 1996, the year that the DVD format was released, JVC finalised the specifications for the D-VHS format – a digital tape format that used MPEG2 to store SD and HD content with many DVD-like features.

With support from Hitachi, Matsushita, and Philips, the D-VHS format boasted the ability to record up to 3.5 hours of High Definition content at a bitrate of 28.2 Mbps or between 7 and 49 hours of Standard Definition content at bitrates ranging from 14.1 Mbps down to 2 Mbps.

D-VHS also supported 5.1 channel and 2 channel PCM audio, and full compatibility with all ATSC broadcasting formats for HDTV support – this was its major advantage over DVD, which is only just waking up to high definition content through HD-DVD and Blu-ray.

The format only supported bitstream recording, which meant that analog-to-digital and digital-to-analog conversion wasn’t native to the standard – however IEEE1394 (commonly known as FireWire) was incorporated as a standard interface for D-VHS and most D-VHS decks included encoders and decoders that permitted analog interfaces.

Backwards compatibility with S-VHS and VHS was a bonus, however the confinement to a linear storage medium (tape) would always be a serious disadvantage as compared to optical, solid state, or hard disk mediums – which support random access so we don’t have to rewind and fast-forward to get to the content that we want to play back.

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